But because you believed it, you found something true about yourself. Your own father said that artists use lies to tell the truth.
Shut up! I *don't* want to hear your lies! I thought I'd die with all my hate in my veins.
#V FOR VENDETTA MONOLOGUE HOW TO#
Hate was all I knew, it built my world, it imprisoned me, taught me how to eat, how to drink, how to breathe. That's it! See, at first I thought it was hate, too. *You* could've ended it, Evey, you could've given in. Every day I wanted to end it, but each time you refused to give in, I knew I couldn't. Every day I saw in myself everything you see in me now. but nor will you understand how hard it was for me to do what I did. I wish there'd been an easier way, but there wasn't. You said you wanted to live without fear. You got to me? You did this to me? You cut my hair? You tortured me? You tortured me! Why? I thought they'd arrest him, but when they found a Koran in his house, they had him executed.įortunately, I got to you before they did. It means that I, like God, do not play with dice and do not believe in coincidence. Verily, this vichyssoise of verbiage veers most verbose, so let me simply add that it's my very good honor to meet you and you may call me V.
The only verdict is vengeance a vendetta, held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. However, this valorous visitation of a by-gone vexation, stands vivified and has vowed to vanquish these venal and virulent vermin vanguarding vice and vouchsafing the violently vicious and voracious violation of volition. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate. I'm not questioning your powers of observation I'm merely remarking upon the paradox of asking a masked man who he is.īut on this most auspicious of nights, permit me then, in lieu of the more commonplace sobriquet, to suggest the character of this dramatis persona.
Therefore, what this BA thesis aims to do is to shed light on such toxic constructs by gradually delineating their mechanisms of control, primarily through sourcing their origins and illustrating how they were established and used in the titular novels, while also contextualising these fictional accounts by juxtaposing them to their historical counterparts.Who? Who is but the form following the function of what and what I am is a man in a mask. To achieve this monopoly over political power and radically influence, change, and constantly oversee every aspect of public life, such regimes use a plethora of devices moulded especially for the subdual of masses, namely all forms of political repression, mass surveillance of speech and thought, regulation of rations, control over the state's economy, personality cultism used to enliven the image of the aforementioned single leader as the harbinger of better tomorrow, and all the institutions used to mechanize and fully utilize physical terror. It has intriguing storylines, experiments with various narrative techniques, character development, and presents serious topics deserving of praise and critical consideration.Īs dystopian novels, both V for Vendetta and 1984 remain situated within the frame of a post-apocalyptic world in which people are usually exploited by a self-proclaimed supremacist political party governing and controlling the masses in the form of a totalitarian police state helmed and shaped by a single leader. The aggregate findings show that the graphic novel is equivalent to traditional novels. It possesses features that distinguish it as a literary work. It attempts to demonstrate that, while the graphic novel is postmodern, it is still literary. The methodology used to address the research question is a comparative approach between the novel and the graphic novel, followed by a literary analysis of V for Vendetta that includes aspects of the novel, elements of the postmodern novel, and critical approaches to literature. The objective of this research work is to investigate the literary value of the graphic novel V for Vendetta. This study seeks to dispel this myth and to challenge the stigma attached to graphic novels. These assumptions are the consequence of years of misconceptions that have contributed to the devaluation of the graphic novel. Various experts have stated that the medium lacks the intricacies and sophistication of the novel. Graphic novels have sparked indignation and controversy among scholars and literary theorists.
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